Windows on Venice 5

This is where the wire jig really came into its own.

 

Getting the consistent curves in this component were a breeze with the jig but would have been a total pain without it.

(Note: I’m not actually trying to get them absolutely perfectly identical. I think if you want that sort of perfection, then get a machine-made piece. The small, organic variations in the curves, just tell me it is one of a kind. Of course, the difference between small organic variation and sloppy work is in the eye of the beholder and potentially a slippery slope)

Next was to make the other components. Laying them all out together, it seems that they are a bit too big, but looking good.

A little bit of re-jigging (if you will excuse the pun) and things are basically ready to put together. I have soldered the middle section, but stopped for the evening (after more than 9 hours in the studio) so that I don’t completely stuff it up, being this close.

Windows on Venice 4

Another day, another window.

In addition to the silver tubing, Friday’s mail brought the wire jig. For the uninitiated, a wire jig is basically a base with lots of holes in it and a set of removeable posts (of various thicknesses) around which you can bend wire. I knew that with a lot of the stuff coming up, having a way to replicate the same curves multiple times would be invaluable.

So, for window four, I decided to try things out in copper (which is the cheapest of the pure metals I have access to). I had revised the design of this one from nine little parts, to four (compare the design pic in the first post to that below) mostly because it seemed too busy compared with the other windows but I also realised with the weight/thickness of the wire I was using, it was going to  be both very hard to make and look too filled in.

So, first attempts with copper seemed quite good.

I also needed to work out if the whole thing would fit together and fill the frame, so I made most of the parts in the copper to test if I had the curvy bits the right size before I cut them in silver.

All looked good, so I cut and prepared the silver components.

Soldering was fiddly to line up the inner portion, but went according to plan.

After adding the outer curves, the last touch on this one was to bind the major joints with 0.3mm wire.

Really quite happy with this one.

 

Windows on Venice frames

So a little searching online and some thinking and I came up with the idea to frame the windows with square silver tubing 0.4mm wide. I wanted a little depth, but anything much wider would, I think, be too heavy.

The guys at A&E metals (www.aemetal.com.au) have an incredibly fast turnaround and from thinking about it on Wednesday and ordering online Wednesday night, they had rung me on Thursday with a question about the lengths I wanted it in and it arrived in the mail on Friday!

So putting the frames together was not as simple as it should have been (are you feeling the theme here?). After several attempts, I think the major problem is the small torch I have been working with (butane), which has been fine for the small silver metal clay and soldering applications I have used it for. However, with the larger pieces of metal that are a bigger heat sink, I just can’t get the temperature hot enough with this torch to melt the solder.

I knew I would need a bigger torch for the glass work, but it looks like I will need it for this also.

Windows on Venice 3

So the next window is something quite different. I wanted to wait until I had the wire jig for the more complicated shapes, so I tackled the middle one in the meantime.

What the not-very-good-drawing doesn’t actually show is that where the strands cross, they are knots. Obviously not something one could easily do with a thick wire, so I worked with a 0.5mm wire and started figuring things out with brass wire (cheaper than silver).

Once having figured how the knot was going to work (and that I could get it to be roughly the right size), I had to figure out how to make the net.

The tricky parts were in making the knots all look the same (there is a right and a left) and in positioning them the same distance apart. And then to make it look like the drawing, I needed two nets, offset against each other. Another thing I discovered was that the knots tended to wriggle and slip about a little bit. A solution was that once the knot was in the right place, a couple of taps with the jewellers hammer flattened the wire/knots and they stayed put. All this took quite a bit of working out and trial and error.

Once I had figured it out in the brass, I went on to the silver. The delicate nature of the 0.5mm wire doesn’t leave all that much room for mistakes. As you will see in the bottom right, one of the wires snapped when I had had to undo the knot and re-do it because it was back-to-front compared to the others. At this stage I had been working on it for a number of hours and realised that I was making more and more mistakes, probably because I was tired. I decided to stop for the night.

Lesson: Even if not sleepy-tired, my eyes, hands and brain do get tired and multiple mistakes are a sign that it might be time for a break.

I thought the brass and silver combination looked really pretty (and I may well use it another time) but the two-colour combination wasn’t true to the original window grills. At this point I decided that all these little windows should be silver only. I realised this will mean that I have to re-do the first one, but that’s probably not a bad thing (don’t tell anyone, but it is actually slightly too tall and too thin to meet the 6 x 6 cm anyway).

The next opportunity to get into the studio led to much better results and the knots came together much easier.

I also discovered that my bench block is 6 x 6cm (handy). I haven’t trimmed the edges of the nets yet, but it did get me to thinking about how I was going to frame the windows…. A couple of cardboard edges give more of a sense of what will be included.

Windows on/of Venice 2

Of course, it wasn’t by accident that I did the easiest one first, and I tackled the next one along the bottom row next, thinking it was also relatively easy.

Well, the first bit was! Having a single bar in the bottom two thirds meant a join, but I figured that would be fine and I could hide it behind the little triangular pieces. I made those from silver metal clay, which was a bit fiddly and in fact took two goes. In the meantime, I preparing the bottom parts.

I cut the horizontal bars from the bronze, but at this point decided that I liked it better all silver. Also the circles I made, were too big, so I had to do them again.

Then in the process of soldering it all together, I made a total hash of it (things not properly aligned and the circles too close to the bottom) and ended up having to cut it off at the join of the arches and re-do all the bottom bit. Lesson: stop and think before diving in to the soldering.

Anyway, I finally finished it and here it is. Not perfect, but not too shabby.

Windows on/of Venice 1

So, I haven’t posted since I got back from Venice – was plunged into the pool of post-holiday despair coupled with running a Choir in the lead up to Christmas/Summer School and having been out of the office for basically two months. Christmas itself came as a great relief and some of the ideas that had been percolating started to make their way onto paper over the few days we spent at Bairnsdale between Christmas and New Year.

Taking the ideas of the decorated window grills, I put together this.

 

 

I first thought I might make it as one big piece with the nine divisions, but I have since thought that instead I will make nine little windows. Each one is 6cm x 6cm and the grill will be made from silver and behind it will be something. I am thinking at this stage probably some form of fused glass, but we’ll see.

Anyway, last week I started on the adventure of trying to make them. I have to say that as well as being fun and exciting to embark on this at last, it really does sooth my soul and I must remember that when I get busy or down or anxious and get into the studio.

So first cab off the rank was the bottom left.

I chose 1mm sterling silver round wire and had fun trying to get even bends in the wire. I pretty soon decided that a wire jig really would come in handy and ordered one online.

I thought brass wire for the background bits.

Then it was on to the soldering

 

Fairly happy with that for a first go.

Arrivederci Venezia

(sorry to those who have been waiting for new posts, I have been unable to access internet for a couple of days so now you will get a bunch of posts all at once)

The final two days of the course flew by with more blowing of glass and a gradual improvement in skills. Of course, it’s not something you can learn in five short days but I could certainly tell that I had improved.

Here are some pics of Thursday’s efforts from the whole of our group, unfortunately Friday’s work wont come out of the oven until Monday and so will have to be sent to me.

Mine are the furthest right and furthest left. We were all pretty amazed that all these shapes started from the same basic beginning and roughly the same amount of glass.

And here is a picture of the whole gang.

And yes, that’s me in front with the three maestros Roberto, Mauro and Giovanni. Second row (L-R) is Zeng, Alice, Bernardo and Joachim, back row Ittay and Olivia.

On Thursday afternoon I spent an enjoyable couple of hours at the Peggy Gugenheim Museum (modern art) and managed to buy a new suitcase to pack all the glasswork in. I took it to Murano on Friday and packed everything up. I probably should have got a bigger one as it only just fit with all the bubblewrap etc. and I struggled to get everything into the suitcase. Fortunately I didn’t have to go straight to a plane but have the next week to sort myself out from the boot of a car.

Friday afternoon I spent on Murano with some final things to see and a last minute purchase (I couldn’t come home without a champagne/prosecco glass, now, could I?).

So, leaving Venice was sad, I do love it and definitely, definitely want to come back to spend more time. I will also definitely do this sort of holiday/learning thing again as I have found it incredibly rewarding and really good for me.

Blown Away

Today was the first true experience of “blowing” glass and it was pretty cool. We worked again in the two teams as yesterday – our team all really enjoying and appreciating Giovanni’s approach.

One of my classmates took a series of photos of me through the whole process – there are 79 of them, and I won’t inflict them on anyone who wasn’t there at the time, but I will post a few. Maestro Giovanni is the one guiding me through the process.

It was pretty amazing and I created a glass (a large beer or water glass) or a vase depending on your point of view (I think for me it will be a glass), and in a later attempt another one decorated with pieces of murrine (cut glass rods with pretty patterns – think the sort of thing you see in the Suga candy shops).

I’m not sure what else to say about the process except that it was difficult, hot, tricky and extremely exhilarating.

This afternoon, I went to the Basilica in Piazzo San Marco and my decision to hold out from Monday turned out to be a good one as I encountered no queues at all today. Nevertheless, the large numbers of tourists going through the Basilica leads to a certain feeling/mentality of shovel them through. I resisted this (although there was no opportunity to sit and contemplate) and made sure I stopped to absorb the sights. I have to say that it is pretty awesome and I was blown away by the sheer volume of the amazing mosaics. Interestingly, there are virtually no paintings here (which is unusual compared to every other church in Venice that I have visited) but they would be entirely superfluous. I’m sure other people will understand when I say that the sheer number of amazing mosaics almost detracts from being impressed with them in the way that you would with a single one in any other place.

I really liked the tessellation of the marble floors. The museum above the basilica has some amazing tapestries and documents and the view from the balcony over St Mark’s square was pretty impressive. I really enjoyed taking my time and soaking it all in.

Walking back from there with a gelato in hand, I resisted the temptation to buy a very beautiful, but rather expensive, piece from one of the designers of glass, Venini. I did not, however, resist buying some beautiful Venetian fabrics …. watch this space.

Tre synagogi

Three Synagogues

Today was another beautiful, beautiful autumn day and it was a pleasure to get up and travel out across the lagoon to Murano.

Today at the course, we divided into two groups; the other three girls who all have some Italian worked with Mauro, and myself and the three guys worked with Giovanni who has pretty good English. In our group we focussed on some basic techniques of picking up the molten glass from the furnace and controlling and manipulating it, reheating when necessary and just making some basic shapes and movements. We did this over and over (having said that, in the four hours, we probably each only had six turns but watched and learned also from what the others were doing). This was really good as it looks easy when the maestros do it, but learning the difference between forcing the glass and encouraging it, when it is too hot and when it is too cold, how to hold and turn enough so that gravity doesn’t pull it off the rod but not too fast so that centrifugal force doesn’t pull it off the rod, is all a matter of getting the feel of the molten glass.

I said yesterday how I has enjoyed having a teacher all to myself, and that was true, but I confess that I don’t think I could do this constantly as the only student. The heat from the furnace is so intense that to be near it is really hard and my eyes were stinging and running with tears every time it was my turn. Maybe I will get more used to it. It wasn’t prohibitively painful or anything, but I was glad to step away a little when my turn was done.

Our little group of four plus Giovanni was fun, everyone encouraging each other and discussing how things felt and what worked and what didn’t. It is really good. The four of us were also glad (and congratulating ourselves slightly) on being in this group as the others working with Mauro were working more on making animals. I don’t doubt that they were learning useful techniques, but we were all glad to be learning some really basic glass handling stuff which was also directed at making us self-sufficient in the studio rather than sitting and having someone else re-heat and hand us the glass.

Our pieces from yesterday have come out of the cooling oven (muffalo) and I am pleased with the flower but a little disappointed that the heart is not as good a shape as it could be – not that I am complaining for a first day’s work.

After class I was heading back to the main island on the vaporetto and one of the other students Itay from Israel joined me. He is in Venice with his wife who is attending a conference. I planned today to visit the Ghetto and he decided to come with me and it was actually really cool having his insight and perspective, being an Israeli and Jewish in heritage although not particularly religious. We took a guided tour which included visits to three synagogues and the museum in the Ghetto.

Perhaps the most interesting thing was learning that ghetto, of which this is the original, is a germanified version of the italian ‘geto’ which means ‘foundry’ and was the pre-existing name of the area of Venice that was designated for Jews to live in the 1500s. It is a word that has come to be so associated with Judaism but its origins are totally unrelated to anything religious.

Anyway the synagogues were really interesting and, as I said, having Itay’s input was very interesting. After we had done the tour, he headed back to meet up with his wife and I did a little more shopping, resisting the impulse to buy a pair of handmade brocade period Venetian shoes (only E280), and had a lovely evening Prosecco to finish the day (at least the outside part of it, I still have to do some handwashing or I will have no clean socks tomorrow).

Here are a couple of pics of yesterday’s work.

 

 

Uno belissimo giorno

A very beautiful day

Last night it rained – quite heavily – and Giusy knocked on my door to tell me that the roof leaked when there was heavy rain and to move my things off the floor. Indeed the roof did start to leak a short time later, but I positioned the wastepaper bin under the drip and all was well.

I woke this morning to the most beautiful morning – clear and sunny like everything had been washed clean.

When I went down to the vaporetto stop, I was amazed to see the mountains – I’m not sure if I just didn’t see them before or if they haven’t been visible, but they look so exciting and inviting and I know that next week I will be driving up there.

 (not a great photo, taken on the iphone on the boat but you get the idea).

I arrived at Murano for my third course (the actual glass blowing one, amongst other furnace work) and this time there are six other students: Alice is, I think, Italian (at least she has very good Italian language), Olivia is Belgian, Zeng is Chinese, Joachim is from San Francisco, Itay is Israeli and Bernardo is Argentinian but living in Holland. So quite the international crew. The three maestros are Giovanni, Roberto and Mauro.

Today we began by learning about some of the tools and how to use them and taking turns with practicing and watching everyone else, as it helps to see from what they are doing and how the maestros help them (note that I am definitely not the prodigy in this class, but I’m doing ok).

After some general practice we each made a flower (sort of the shape of the petals of a tiger lily but without the stamens and style) and then a solid heart. We also watched the maestros make some fairly awesome pieces, demonstrating some of the techniques. It was lots of fun, quite hot, strangely, and I needed to put eye drops in a couple of times as my eyes got very dry with the heat. I’ll keep them in my pocket tomorrow. It was fun having some classmates and getting to chat with them and sharing the experience and the difficulties although it does mean that you get to have less time hands-on yourself. Nevertheless, I am excited about tomorrow and what we will get to do then.

Being such a beautiful afternoon, I felt inspired to cross a few more items off my list of “wanna see”. I was going to do the Basilica, but the queue was long and I am guessing that there are still people in town from the Venice Marathon which was run yesterday. At least I am hoping that is the case and will aim for the Basilica on Wednesday. Instead I went to La Teatro Fenice which is the opera theatre. There is still the opportunity to see Don Giovanni this week, but it is very expensive and the tickets left are all limited visibility, so I might give it a miss (it would be more fun to go with someone than alone). Anyhoo, I went in to look (only 10E with free audioguide) and it was pretty amazing. It has burned down twice (the most recent being in 1996) but has been rebuilt to the 18th c. plans.

 (in the Royal Box)

After this I went to the church of San Vidal which is now a music recital hall utilised by Interpreti Veneziani who are a chamber orchestra that regularly perform, particularly Vivaldi. There are concerts most nights this week which I would love to go to, and they aren’t expensive, but the concerts don’t even start until 9pm and having to get up to go out to Murano in the morning….. Well, I’ll see how I feel later in the week and maybe chance it on Friday night coz it would be kinda fun.

Intermingled with some shopping for some cool stuff for myself and some gifts, I also visited the churches of San Stefano and San Salvador. Both of these churches are  quite remarkable and have a fair dose of excellent sculpture and painting, but what are a couple of Titians or Tintorettos when other places have dozens? The other place I visited, but didn’t go in, was the Palazzo Contarini del Bovolo which is famous for its external spiral staircase which is pretty cool.

As I mentioned, it was a beautiful day today, and one of the outcomes of this was that it was a great day for taken photos with the buildings reflecting in the still, clear water of the canals.

  

A little more shopping, a glass of prosecco at the bar in the square (they are back tonight) and back to my room to rest my aching feet :).